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BWV 592
The organ concertos of Johann Sebastian Bach are solo works for organ, transcribed and reworked from instrumental concertos originally composed by Antonio Vivaldi and the musically talented Prince Johann Ernst of Saxe-Weimar. While there is no doubt about the authenticity of BWV 592–596, the sixth concerto BWV 597 is now probably considered to be spurious. Composed during Bach's second period at the court in Weimar (1708–1717), the concertos can be dated more precisely to 1713–1714.Boyd 2006pp. 80–83/ref>Breig 1997Jones 2007pp. 140–153/ref>Williams 2003pp. 201–224/ref>Schulenberg 2013pp. 117–139and footnotepp. 461–3/ref> Bach also made several transcriptions of Vivaldi's concertos for single, two and four harpsichords from exactly the same period in Weimar. The original concertos were picked from Vivaldi's Op.3, ''L'estro armonico'', composed in 1711, a set of twelve concertos for one, two and four violins. The publication of these Bach trans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hänssler Classic
Hänssler-Verlag is a German music publishing house founded in 1919 as Musikverlag Hänssler by Friedrich Hänssler Senior (died 1972) to publish church music. The company is now based in Holzgerlingen. Since 1972 Hänssler Verlag has also published contemporary and jazz music. Hänssler Classic (now written ''hänssler CLASSIC'' in the company's own materials), was founded 1975 by Friedrich Hänssler Jr., as the company's in-house classical record label. The record label is one of the publishers of the classical radio station Südwestrundfunk (SWR) which has three orchestras, a choir and a big band. The label is also a partner with the Internationale Bachakademie Stuttgart, founded 1981 by Helmuth Rilling. In 2002 Hänssler became part of SCM ( [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ripieno
The ripieno (, Italian for "stuffing" or "padding") is the bulk of instrumental parts of a musical ensemble who do not play as soloists, especially in Baroque music. These are the players who would play in sections marked ''tutti'', as opposed to soloist sections. It is most commonly used in reference to instrumental music, although it can also be used in choral music. An individual member of the ripieno is called a ripienista. In the concerto grosso, it refers to the larger of the two ensembles as opposed to the group of soloists called the ''concertino''.''The New Grove Dictionary of Music and Musicians'', 2nd Ed. (2001) In a ripieno concerto, there is no dominant soloist, so it resembles an early symphony. It can also refer to the main body of orchestra in early orchestral music, although this use is today often disregarded. In band music, the term (or its variant spellings ''repiano'' and ''ripiano'') is used similarly to designate the players not at the leading desk, especiall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
BWV21-chorus
The (BWV; ; ) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a, was published in 1998. The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. For example, BWV 992 was composed many years before BWV 1. BWV numbers were assigned to 1,126 compositions in the 20th century, and more have been added to the catalogue in the 21st century. The Anhang (Anh.; Annex) of the BWV lists over 200 lost, doubtful and spurious compositions. History The first edition of the ''Bach-Werke-Verzeichnis'' was published in 1950. It allocated a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 19th-century Bach Gesellschaft (BG) edition f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bad Schwalbach
Bad Schwalbach (called Langenschwalbach until 1927) is the district seat of Rheingau-Taunus-Kreis, in Hesse, Germany. Geography Geographic location Bad Schwalbach is a spa town some 20 km northwest of Wiesbaden. It lies at 289 to 465 m above sea level in the Taunus, along the small river Aar (Lahn) (a tributary of the Lahn). Over 56 percent of the municipal area is forest. Neighbouring communities Bad Schwalbach borders in the north on the community of Hohenstein, in the east on the town of Taunusstein, in the south on the community of Schlangenbad, and in the west on the community of Heidenrod. Constituent communities Bad Schwalbach’s '' Stadtteile'' are Adolfseck, Bad Schwalbach, Fischbach (Bad Schwalbach), Heimbach, Hettenhain, Langenseifen, Lindschied and Ramschied. History Bad Schwalbach was first mentioned in a document in 1352 as ''Langinswalbach.'' The first reliable report of the mineral springs came in 1568 from the Worms doctor ''Tabernae ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ich Hatte Viel Bekümmernis, BWV 21
Johann Sebastian Bach composed the church cantata (I had much grief), 21 in Weimar, possibly in 1713, partly even earlier. He used it in 1714 and later for the third Sunday after Trinity of the liturgical year. The work marks a transition between motet style on biblical and hymn text to operatic recitatives and arias on contemporary poetry. Bach catalogued the work as (and for all times), indicating that due to its general theme, the cantata is suited for any occasion. The text is probably written by the court poet Salomon Franck, who includes four biblical quotations from three psalms and from the Book of Revelation, and juxtaposes in one movement biblical text with two stanzas from Georg Neumark's hymn " Wer nur den lieben Gott lässt walten". The cantata possibly began as a work of dialogue and four motets on biblical verses. When Bach performed the cantata again in Leipzig in 1723, it was structured in eleven movements, including an opening sinfonia and additional recitativ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siciliano
The siciliana or siciliano (also known as the sicilienne or the ciciliano) is a musical style or genre often included as a movement within larger pieces of music starting in the Baroque period. It is in a slow or time with lilting rhythms, making it somewhat resemble a slow jig or tarantella, and is usually in a minor key. It was used for arias in Baroque operas, and often appears as a movement in instrumental works. Loosely associated with Sicily, the siciliana evokes a pastoral mood, and is often characterized by dotted rhythms that can distinguish it within the broader musical genre of the pastorale. History and notable examples In a 2006 book, Raymond Monelle found musicologists' attempts to trace the style to any authentic tradition in Sicily inconclusive, though he did trace its origins back to Italian Renaissance madrigals from the 1500s, in triple time with dotted rhythms.Raymond Monelle (2006). ''The Musical Topic: Hunt, Military and Pastoral'', p.215 ff. Indian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ritornello
A ritornello (Italian; "little return") is a recurring passage in Baroque music for orchestra or chorus. Early history The earliest use of the term "ritornello" in music referred to the final lines of a fourteenth-century madrigal, which were usually in a rhyme scheme and meter that contrasted with the rest of the song. Scholars suggest that the word "ritornello" comes either from the Italian word ''ritorno'' (meaning return), or from ''tornando'' (meaning turnaround or flourish). Literally, in Italian it means "little return". Baroque music The ritornello as a recurring tutti passage can be traced back to the music of sixteenth-century Venetian composer Giovanni Gabrieli. According to Richard Taruskin, these repeating passages are "endemic to the ''concertato'' style" which Gabrieli is credited with developing. The idea of an orchestral ritornello played an important role in the structure of opera in the eighteenth century. The most common form for an aria during the Baroque per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inversion (music)
In music theory, an inversion is a type of change to intervals, chords, voices (in counterpoint), and melodies. In each of these cases, "inversion" has a distinct but related meaning. The concept of inversion also plays an important role in musical set theory. Intervals An interval is inverted by raising or lowering either of the notes by one or more octaves so that the positions of the notes reverse (i.e. the higher note becomes the lower note and vice versa). For example, the inversion of an interval consisting of a C with an E above it (the third measure below) is an E with a C above it – to work this out, the C may be moved up, the E may be lowered, or both may be moved. : The tables to the right show the changes in interval quality and interval number under inversion. Thus, perfect intervals remain perfect, major intervals become minor and vice versa, and augmented intervals become diminished and vice versa. (Doubly diminished intervals become doubly augmented ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedal Point
In music, a pedal point (also pedal note, organ point, pedal tone, or pedal) is a sustained tone, typically in the bass, during which at least one foreign (i.e. dissonant) harmony is sounded in the other parts. A pedal point sometimes functions as a "non-chord tone", placing it in the categories alongside suspensions, retardations, and passing tones. However, the pedal point is unique among non-chord tones, "in that it begins on a consonance, sustains (or repeats) through another chord as a dissonance until the harmony", not the non-chord tone, "resolves back to a consonance".Frank, Robert J. (2000)"Non-Chord Tones" , ''Theory on the Web'', Southern Methodist University. Pedal points "have a strong tonal effect, 'pulling' the harmony back to its root". Pedal points can also build drama or intensity and expectation. When a pedal point occurs in a voice other than the bass, it is usually referred to as an inverted pedal pointBenward & Saker (2003). ''Music: In Theory and Prac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sing-Akademie Zu Berlin
The Sing-Akademie zu Berlin, also known as the Berliner Singakademie, is a musical (originally choral) society founded in Berlin in 1791 by Carl Friedrich Christian Fasch, harpsichordist to the court of Prussia, on the model of the 18th-century London Academy of Ancient Music. Early history The origins of the Singakademie are difficult to discern because the group was initially intended as a private gathering of music lovers and only later became a public institution. The Singakademie grew out of a small circle of singers who met regularly in the garden house of the privy councillor Milow. Their weekly meetings seemed to have resembled those of the then popular ''Singethees.'' Carl Friedrich Zelter describes them as rather informal meetings: "One gathered in the evening, drank tea, spoke, talked, in short entertained oneself; and the matter itself was only secondary." Singer and songwriter Charlotte Caroline Wilhelmine Bachmann was one of the original founding members. Until the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Friedrich Zelter
Carl Friedrich Zelter (11 December 1758 15 May 1832)Grove/Fuller-Datei:Carl-Friedrich-Zelter.jpegMaitland, 1910. The Zelter entry takes up parts of pages 593-595 of Volume V. was a German composer, conductor and teacher of music. Working in his father's bricklaying business, Zelter attained mastership in that profession, and was a musical autodidact. Zelter was born and died in Berlin. He became friendly with Johann Wolfgang von Goethe, and his works include settings of Goethe's poems. During his career, he composed about two hundred lieder, as well as cantatas, a viola concerto (performed as early as 1779) and piano music. Amongst Zelter's pupils (at different times) were Felix Mendelssohn, Fanny Mendelssohn, Giacomo Meyerbeer, Eduard Grell, Otto Nicolai, Johann Friedrich Naue, and Heinrich Dorn. Felix Mendelssohn was perhaps Zelter's favorite pupil and Zelter wrote to Goethe boasting of the 12-year old's abilities. Zelter communicated his strong love of the music of J. S. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
